Thursday, August 23, 2007

Songs You Should Know: Blondie - Dreaming

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So, I was watching the trailers before Bourne Ultimatum (excellent movie btw) and the trailer to "We Own the Night" comes on (also looks like a winner). So when the title card goes up the disco-esque groove of "Heart of Glass" is in the background. All at once I start smiling and rememebr how much Blondie kicks ass! They were the first group I recognized as iconic when I was younger. I can still imagine the poster with Debbie Harry in a flowing white dress holding a flsh of light while the rest of the band stood behind her in matching suits. Their music was catagoized as a whle lot of things new-wave, punk-ish, disco, what ever you would call it now, I would call it excellent. As soon as the movie was over I dug into the iPod and put together a Blondie playlist that I haven't stopped listening to since. We're almost 30 years past their heydey and their music still holds up. Here's my favorite Blondie song, "Dreaming". Two things I love about this clip. Clem Burke's kickass drums and Debbie Harry's cheekbones. Enjoy, suckas


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The Rant: Superbad

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I actually saw this Saturday but, decided to wait until today to post the rant because:

1) I needed some time to let this movie sink in. In my post Superbad euphoria I may have declared this movie better than The Warriors and Caddyshack combined...and that can't happen.

2) I wanted this Rant to come closer to the weekend in hopes that if you haven't seen the movie yet I can convince you otherwise.


If you read my Knocked Up rant, you'll know that I'm firmly aboard the Judd Apatow bandwagon. I've been looking forward to Superbad ever since the trailer and it did not disappoint. The packed theater was raucous to the point where the laughs from gags and one-liners overlapped each other. Superbad is best served with a crowd. Don't be a sucka and wait for the DVD.

Okay big SPOILER ALERT for this one, as usual, this is not a review just some impressions.


The premise is simple, two high school seniors, Seth and Evan, get invited to a party and somehow get in charge with buying the liquor. Enter Fogel their nerdy smack talking friend with a fake I.D. Sure we've all been in this situation, Superbad's plot is not as ambitious as trying to run a brothel while your parents are gone or pseudo cathartic as self-discovery through detention...but this is part of why the movies works, we've all been in a situation like this at one time or another and we know all the shit that can go wrong. The plot is on autopilot from that point on and we get to focus on the kids. It's not always about the originality. Superbad works because of the quality of its execution.

The movie starts out with a discussion of the porn site Seth is going to subscribe to. He's about to settle on Vag-tasic Voyage, where some dudes take a van and film their escapades with chicks. If you were like me you said "Hey, that sounds like Bangbus!" and if you are like me you are also a little embarrassed that you know that. So if you go see it this weekend, don't be like me and say it out LOUD.

"I am so jealous you got to suck on those titties as a baby" "Well, at least you got to suck on your Dad's dick"

Sure the movie is pretty much a dick and discharge joke fest, but one of my favorite laughs came from an innocent Asian kid's imitation of a cat. So there is at least one successful attempt at clean humor. I'm trying to think of any others...hmmm...well at least there's one.

"You know if you scratch our back we'll scratch yours" "Well Jules, the funny thing about my back is that it's located on my cock."

This sequence stands out as an example of one of the things I love most about this movie. The characters are not pigeon-holed into a stereotype. In a lesser comedy the fat loser kid would never say that to a girl he was interested in. Seth and Evan are portrayed as realistic teenagers. They both have their moments where they show they aren't limited to Seth's low self-esteem and Evan's anal retentive neuroticism. They aren't one trick ponies and they come off as real. High School's clique system was never as rigid as the 80's movies liked to claim it was. If it was for you, then I'm sorry you grew up in Retardville. It looks like the f'n Breakfast Club influence may be finally gone from teenage movies. Suck it John Hughes!

"For some reason, I don't know why, I would sit around all day and draw pictures of dicks"

I'm going to preface this with a TC and M anecdote. We were in a Las Vegas suite for a bachelor party weekend. The night we all got in we ended up just hanging around and we decided to get PPV porn on the big screen. So we're about to settle on an orgy movie with one guy and a whole lotta sluts. Then our nameless friend objects to the choice with "Pick another one, that movie only has one cock in it". Needless to say, any decision we had to make that weekend was followed by, "Hey, does that enough cock for ya?"

So yeah, as Superbad's cavalcade of cock doodles started, I wondered if he would be satisfied...really though, there are a lot of dick pictures.

"I am McLovin"

Get ready for the McLovin merch! If you miss out I'm sure Urban Outfitters will have these in stock where their Napoleon Dynamite stuff used to be.

"Prepare to get fucked by the long dick of the law"

The cops in this movie, played by Superbad co-writer Seth Rogen and SNL's Bill Heder, make a hilarious device for moving the plot and at times steal the movie. Keeping the focus off Evan and Seth for a good portion of the movie helped quite a bit. There's nothing worse for movie that getting sick of seeing main characters on the screen. Ex: All three Star Wars prequels.

"You have such a smooth cock." "Thank you. You would too...if you were a man."

Michael Sera plays the over-polite, insecure, dork to perfection. His portrayal of Evan is really just a continuation of his George Michael Bluth from Arrested Development. What sets Superbad apart from most teen movies is the depths it will go to accurately portray the awkwardness of uncomfortable teenage moments. I had the feeling that most of the audience were reliving some of moments as recently as the weekend before.

"So I guess I'll call you. I have your information so..."

The parting sequence that ends this film was so bittersweet. They acknowledge that the "bro's before ho's" era is now ending. Long live the "getting screwed over by chicks era". All they needed to do was play "Just Once" and have Seth drive away crying in the rain.


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Monday, August 20, 2007

Michael Vick: Tragedy!

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Well, it looks like Michael Vick is going to be headed for the hoosegow soon. He's agreed to plead guilty to federal charges stemming from a dogfighting ring.

Thing looked bleak for Vick once his co-defendants all slowly decided to accept plea bargains which would also include testimony implicating Vick's involvement Bad Newz Kennels. (Yeah, I thought it was strange too that they would use a "Z" in news but not in kennels.) So with three of his buddies lined up to snitch, it was just a matter of time before Vick caved.

Okay, to lose fame, a 130 million dollar contract, and tens of millions a year in endorsements, is one thing. To lose it all to crime as low on the "menace to society" totem pole as dogfighting is another. To lose everything in such a manner, because your childhood buddies turned on you, is a tragedy.

The tragedy lies here: Either Michael Vick is the dumbest "kingpin" ever or he's the biggest prick that ever lived. The argument for Vick being the dumbest criminal starts and ends with this. He had a 130 million contract, 22 million which was in an upfront signing bonus. He chose to do illegal shit, which happens, but there's a reason you don't see multi-millionaires going to jail all the time. It's called "Yo, shut the fuck up!" money. Do you think three people named "Q", "P-Funk", and "T" would have flipped on him so quickly if they knew they'd have a million or two waiting for them when they got outside? I mean shit! Doesn't he know how mulit-millionaire criminals roll?

Okay, so what if he did have some "Yo, shut the fuck up!" money? How big of an asshole do you have to be for three of your homeboys to say "Naw man fuck that money, he was always a punk ass." I mean, I'm a pretty much a jerk to my friends, but if I slipped them a hundy they wouldn't say shit about that copy of Spiderman 3, er hypothetically, of course. Vick should have been worth millions to those guys and they still snitched. For that to happen, Vick might be the ultimate codpiece.


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Wednesday, August 15, 2007

So You Think You Can Dance: Top Six

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Ameriker! I lost my C: Drive! This recap is late! Still, I wanted to get this out before the finale two parter. I'll decide last minute if I'll run it. This week we have two perfomances for each couple and a solo before the end of the show! The guest Jidge for this week is Debbie Allen and all I hear is blah blah blah Fame costs bitches!
Our first couple reveal for the night is Pasha who will be paired up with Lacey. They draw one card with two dances types which is supposed to prove that the routine choices aren't predetermined. Oh yeah, like they haven't measured Lacey's head for her tiara...


Their first style tonight is Hip-Hop by Dave Scott. He warns us that there will be some acting involved in this joint right here-ah. The "plot" is Pasha is trying to revive, Lacey, who will be playing a manequin. Hey, it's just like that movie about that manequin who dances around...you know the one...with that chick...Showgirls!

We start up with Pasha sporting the paperboy and nerd glasses. Which is brilliant because if he looks like a dopey white guy breakin it down, they can attribute it to being in "character". So we start out the routine with Pasha spazzing out and lacey doing her best Cattral. Then things get a little interesting


The key to reviving a manequin is apparently taking it from behind. Um kay. The routine is pretty good and for all the shit talking I do about the faux-ho, Lacey does a pretty good job. Pasha ...looks like a geeky white guy doing hip-hop, so I guess it's all good. The judges are all full of compliments...it was a fun way to start the show.

Now we get our first solo and it's Sabra doing her thing to "Rock Your Soul" by Elisa. Sabra just flows with an elegance and a great energy. She's probably my favorite out of the remaining dancers.


Our next duo is Danny and Lauren. So we've got Snotty Snotterson and Toothy Mc I-can't-stand-you-if-I-had-a-time-machine-I-would-have-voted-for-Sara-a-million-times-to-eliminate-your-stupid-hammy-face!

Mia Micheals serves up a routine where the two play aliens, because aliens are cool, I guess. If they were going for cool I would have picked secret agents with amnesia. That's teh hotness right there. So they dance to Celine Dion and dressed in all black they look more like Bananna Republic employees than aliens. I keep looking for something alien-y but really, it's just dancing. At least with the Hip Hop routine you don't need to be told the storyline. You should get it. Without the intro the story might as well be The Bourne Ultimatum.

For the second week in a row, Lauren sucks face with her partner and I swear I thought Danny was going to do a spit take and make a sour puss face. The routine takes them all over the stage up the stairs, through the crowd, and finally on the balcony.

These are two of the chosen ones so Nigel is about to explode with praise. Mary screams her head off. I'm zoning her out now. Debbie Allen calls them a choreographer's dream and scoffs that this show should be getting Oscars for this performance. She might as well have said a Nobel Prize, since they don't give awards for cheesy ass dance shows either. Patience wearing thin.

Next solo and it's Pasha in the spotlight. The chorus to "Total Eclipse of the Heart" starts and things just get really weird. Since there is no video backstory let me fill in the blanks. This is the sequel to the hip-hop manequin routine. It's the night of their 10th Anniversary and the manequin has been decapitated and lost it's arms in a tragic dry humping accident. Pasha is either dancing to lament or to magically make her head and arms grow back. Apparently in the future tuxedo jackets with no shirt on underneath is in style. I think I'ma start rockin that look yo!

Next up it's Sabra and Neil. Well at least they'll be likable and peppy! Mandy Moore, who has been an awesome addition to this year's dance taskmasters, is gonna jazz it up with an 80's power lunch. Where they'll be negotiating...through dance. Neil says the only 80's he remembers is the Karate Kid and threatens to wax Sabra in the negotiation. Omigod, I thought for a second he said he was gonna wax dat ass.

It's "Sweet Dreams" by the Eurythmics and again it's a plot that doesn't need explaination. The pair are dressed in charcoal and cobalt blue and they're wrestling around and and over a table, Neil has his Ricky Schroeder haircut...it makes sense.

It's just fun to watch and a different flavor for this show. It's gonna be hard to top this one. Nigel is thrilled and admits that Neil has become a dancer and Sabra dances from the heart every time. Mary...F-her. Debbie is all "We like it like that".

Lauren dances to a sad desperate song called "Sorry" by Maria Mena. Still, there she goes toothin up the joint like she's dancing to "Shake Your Love". Please. Go. Now.

Round two starts off with Pasha and Lacey doing the Smooth Waltz. Hunter Johnson calls it the Rolls-Royce of ballroom dance. Lacey calls it the most difficult thing she's ever done in this competion. Wait, doesn't she have awards in partner dancing? Latin can't be as far removed from the waltz as something ike crump, can it? Shut the front door Lacey!
So the dance was a waltz and ...it was smooth? Really, I got nothing to say when it's stuff like this. This is why I don't watch "Dancing with the Stars"

Apparently, it was good. Nigel said so. He said Lacey's hands were terrible at one point. Mary is chill, so I'll listen. She actually gets technical with a compliment for Pasha's fallaway slip pivot double reverse spin over spin. Wow. it reminded me of Hee Haw when one of the bimbos in the tied shirt and Daisy Dukes would explain science or something. I actually like this version of Mary. Debbie felt like she was watching "Love Story". If only it had the same ending. She also adds that Pasha had a "mack move" during the routine. Wow! Calm, rational, technical, critiquing of a routine...maybe they should do more smooth waltzes on this show. It also goes to show that anything short of that level of critique means that the jidges are talking out of their asses.

Neil flips around to Dave Mattheew's "Out of My Hands" and he's not wearing sambas and a beat up baseball cap with the rim bent like an asshole. I though that was required wearing for dancing to Dave Matthews. Anyway, it had a near flip off the stage and girls screamed.

Disco time is next and Doriana Sanchez is back...and so is the disco ruler! They talk about a move called the death drop (I wish) and that Disco is hard. "Disco is no joke" says Doriana. I guess she doesn't remember the 80's when everyone except my old roommate denied disco's very existence.

There's something so talent show-esue abou this routine. The dancing was okay, but this version of "Don't Leave Me This Way" has an extended piano solo and it just seemed so junior high to see them disco dance to it. Also, the disco ruler only measured a 3 and 3 quarters on their death drop and their transition into a big lift was clunky. Still, it's the two of the teflon trio and I'll bet it escapes the jidges scrutiny, even though the execution was sub-par to what we've seen tonight.

Nigel thought it was a tough routine and they were incredible and points out that Lauren has bruises all over her legs. Mary thought it was FUN! She compliments Lauren's looks. Sigh. Debbie calls the the perfect Doo-OH and says they reinvented disco. The disco ruler calls bullshit!

Lacey is back with another shitty solo. This time she shakes her ass towards the camera alot. At this point, does it really matter what she does on stage anymore?

I'm going to skip the results show, but there was a moment in the recap montage where Lacey tried the innocent and embarassed act with, "I think my bum was in some cameras". If you replaced "think my bum was" with "purposely stuck my bum" you would have had the real deal. Moments like this make me wish I didn't watch the show.


Neil and Sabra close the duo performances with a paso doble. Honestly, wasn't all that but they ended with a cool move where Neil held Sabra over his head while she clutched her heeels behind her back.

She then slowly fell to the floor as she would a cape unhooked from a matadors shoulders. It's one of the coolest moves I've seen on this show.

Here's another reason why my hate for this show grows with every passing week. Nigel gives this spiel about how at the beginning of the show if you had said Neil or Sabra had a chance of winning this competiton he wouldn't have believed it, but he does now. From a viewer a comment like this would be acceptable. From a producer/ judge who designs the show, it's reprehensible. Shouldn't a top 20 that HE helped choose all have an equal probability at winning the show? Is the talent pool so shallow that they only have four or five dancers who could win while the other dancers are just filler? How biased is it that he would think from the beginning that only certain dancers could win the competition? HATE! Mary gives Neil his first trip on the hot tamale train. Debbie was relieved that this wasn't just another shitty paso doble.


Danny gets the pimp spot ...still looking like a Bananna Republic alien.

He had the best solo of the night, but as Rizzle puts it he's got phony written all over him.

So yeah I had a massive computer problem on Monday so this didn't get out that morning and I was reinstalling Windows while the results show was going on. Cause that's how a dude with a failed hard drive rolls suckas!

Results: We lost Lauren (Excellent!) and Pasha (Bogus). I'll have the finale recap up for y'all Friday.


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Thursday, August 09, 2007

Dancing the Light Crap-Tastic

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Alright, I admit I've been lazy for awhile now. But Paj inspired me last week with his recap of SYTYCD, and I've got a few points to make:

- Wade Robson--you used to be my hero and favorite choreographer on the show. Then you had to go all touchy-feely political activist on our asses. Here's a piece of advice: Peace signs at the end of a routine are stupid.

- Nigel Lythgoe--At least TRY to hide the fact that you're a string-pulling capitalist bastard who doesn't really get the whole dancing thing. Maybe you don't have to plug ALL of your friends' latest projects on the show.

- Jidges--Alright, I applaud the fact that you brought the talent level way, way up this season. Cedric hung around way too long, but other than that there really weren't any truly easy eliminations. HOWEVER, your blatant attempts to control Ameriker's decisions are repulsive! I'm sorry, but maybe you had just taken a nice hit of Xtasy before Danny and Lauren did their stupid Mia Michaels routine last night. It looked rushed, Lauren couldn't drop the toothies for a minute to get into character, and she couldn't stick or hold any of the big balances. I don't think she did a turn or a balance all night where she didn't wobble or stumble--strictly amateur hour. You raved and raved. Hell, even the cameraman got congratulated for chasing them up the steps and distracting Danny so much that he forgot to hold Lauren's hand. Whatever it is you've got in those Coke cups, Jidges, give me some of that shit!

- Danny--There's no denying that you're a great dancer. But please, please never look into the camera again with that sorry-sap "Really Ameriker, I'm not an arrogant asshole" expression. I threw up in my mouth a little bit.

- Pasha is adorable, and I'm still jealous of Sabra. Don't be a hater, Paj...she's incredible.

Here is what SHOULD happen on Monday night:

1. Lauren SHOULD go home

2. As much as I love him, I wonder if Pasha shouldn't go too. Neil just seems a bit more versatile, and is definitely a better soloist.

3. The jidges should shut the hell up and let Ameriker decide. You chose the format this year, now live with the consequences. Out.


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Wednesday, August 08, 2007

Why I'm okay with Barry Bonds

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I've been doing a lot of thinking while following Barry Bond’s record home run chase. Amidst the allegations of his past steroid use and people clamoring for his record to be blemished with an asterix, I gave a significant amount of reflection about how I feel about the morality of it all. Trying my best to put my Yay Area loyalty aside, I came to this conclusion. I'm perfectly fine with it. Why? Because the second you put on a baseball uniform, you are taught, if not encouraged, to cheat. Here are some examples all of which occurred before I was 11.

My first year of little league and we're doing drills to learn to slide properly. I was taught that a proper slide also includes kicking an infielder's glove in hopes that the ball pops out.

I was also taught that if you’re a catcher, and you get a pitch that just misses the strike zone, move your glove as you catch it so you might trick an umpire into calling it a strike. My teacher for that one was Johnny Bench, host of the Baseball Bunch, a nationally syndicated TV show.

The movie the Bad News Bears showed us all as kids that putting Vaseline under your cap and rubbing it on the baseball can give even a pre-pubescent Tatum O'Neal a wicked breaking ball.

This is all stuff we learned during the Little League years and it's all technically cheating. This was all in the pursuit of a kid’s game for fun. Now throw in the millions of dollars and the fame that comes with success at the professional level and combine it with the cheating that the culture of baseball precipitates and you bring us to where we are today. The game of baseball will always have its cheaters. It's up to the institution of baseball itself to take care of that problem. The baseball powers that be turned a blind eye to steroids for a generation so I feel the disgust should go towards them, not the players. So when something like this comes up in life, it all goes back to a cheesy-ass trucker hat a friend of mine once wore. It read, "Don't hate the Playa, Hate the Game"


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Songs You Should Know: Flight of the Conchords Edition

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This summer has been pretty slim pickins as far as TV goes, but HBO's Flight of the Conchords has been a standout as far as new series go. Conchords follows the adventures of New Zealand folk rockers Brit and Jermaine as they struggle to find success in the music industry. Naturally, most of the episodes end up dealing with their women problems. Think of them as a less- spastic, more cerebral Tenacious D. Sort of. Anyway the music is the driving force of the show. Here's my personal favorite, "If You're Into It" where Bret serenades his new girlfriend Coco.



Okay, so I'm a sucker for toy piano. That's how a Schroeder rolls suckas! If you get HBO catch this show!


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