Wanted, is yet another comic book inspired movie to hit screens this summer. Since the (box office) failures have been few and far between this genre, it gives comic book readers like me a slight problem. At what point can I keep enjoying these movies when I know what's going to happen? When I've likely read the source material several times over, when is the novelty of seeing comic-book characters come to life going to wear out?
Wanted helps delay this conundrum for at least a few more movies, because after the first half of the film, the similarities between the movie and the comic arrive at mainly at the last scene. I said similarities, mind you, the movie does not end as the comic did with Wesley saying "This is my face, while I'm fucking you in the ass". Hollywood wusses.
So yeah, fans of Mark Millar's Wanted, you do not get the pleasure of seeing "Sh*thead" on the big screen. Sucks to be you assholes. I don't know about you, but I wanted to see a fucking poo-man onscreen. Dogma and the Golgothan was a long fucking time ago and I was digging the idea of a walking pile of doo doo in the movies again.
As usual, spoilers galore and this is not an actual review, just some impressions.
So, in the original Wanted comic book series, the premise is that an army of super villains actually rules the world and the plot involves an coup d'etat among those villains. Wesley, our main character, is recruited into the super villain army and the story deals with the struggle of accepting his new found abilities and dealing with a super powered civil war at the same time. Okay, I understand why they ditched the super villain portion of the story. The concept kind of a bit silly, expensive to produce, far-fetched etc. But did they have to have to replace it with a thousand year fraternity of assassins whose targets are chosen by reading imperfections in weaving of fabrics? This mystic loom determines the targets through fate as a defense system for society? The assassins believe that they are serving the greater good with a "Kill one, save a thousand" philosophy? The loom can pick out a random Chicago business man as an assassination target, but miss out on Hitler, Pol Pot, and Idi Amin? Good lookin' out there, Loom!
Two things involving the direction of the acting bugged me. James McAvoy, was great, but he reminded me a bit too much of Tobey McGuire during his milquetoast who slowly realizes he can stomp some ass progression. The douche bag who played Barry, the movie's douche bag, was way too reminiscent of Sean William Scott (Stiffler) king of the present-day douche bags.
One way to get around ridiculous premises and a dumb script is mask those holes with sperlative star-powered acting. It worked for Iron Man with RDjr. and it worked for Wanted with Angelina Jolie and Morgan Freeman. I swear, Morgan Freeman as the commanding voice in a movie really makes it easier for me to swallow a premise, no matter how preposterous. I think it all started on Electric Company when Easy Reader helped convince me that "Reading is heavy and outta sight!" Angelina Jolie can do so much to fill dead moments in a script. First of all, you can't help but stare at her while she's onscreen. While your staring you can catch all the littel nuances in her stares that range from mocking to emasculating, to "I really believe that you can curve that bullet around my head. I wish younger and equally hot actresses would take notice. I'm looking at you Jessica Alba!
While we're on the subject of Angelina Jolie, is there anything hotter than watching her kick a guys ass? I thought it was just a unique phenomenon after watching Mr. and Mrs. Smith (83 times) but that same warm fuzzy feeling happens in Wanted as well. Watching Angelina Jolie beat the shit out of someone > porn
Third Jolie bit. There's a scene where Jolie kisses Wesley in front of his hoebag ex-girlfriend. It was just a steamy kiss, no groping, no nudity, just a kiss. Well a good portion of the packed theater actually cheered. Phrases like "Yeah, boy!" and "Get some!" were actually shouted. Out loud. By real people.
The special effects and CGI motor this film to the point where it's almost exhausting to watch. It's 21st century Hong Kong action style film making and I'm digging it. Sure, it's excessively violent and maybe the scene where Wesley shoots the Repairman in the face, runs with his carcass, and shoots several more assassins while his gun is still implanted in the Repairman's skull is a bit much, it's quick and it's the kind of fun you can only get at the movies...well at least until the release of Grand Theft Auto 5.
Fucking, fuck, fuck, fuck, fuck! This movie sure does love to say fuck!
Curving bullets with a twist of your gun, yo! If that concept alone bothers you, just try to wrap the idea that bullets can be fired to block or deflect other fired bullets
After two different car flipping-in-an-intentional-and-functional-manner scenes, nearly back to back, I really was anxious regarding what I would see next. It's been a long time since I've been absorbed like that in a movie.
Story?: Dumb. Acting?: Pretty good and times erection inducing. Fun?: Word
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